I Know When You're Going to Die
by Michael J. Bowler
Genre: YA Mystery, Thriller
Leonardo Cantrell is a painfully shy sixteen-year-old who cannot look people in the eye. One night while heās volunteering at a homeless shelter, an old man forces eye contact and gives Leo the power to see Death.
His best, and only, friendāJ.C. Riveraāthinks this new power is cool until Leo accidentally looks into J.C.ās eyes and āseesā his murder, a murder that will occur in less than two weeks. Stunned and shaken, the two boys sift through clues in Leoās āvisionā in a desperate effort to find the killer and stop him before he can strike.
Aided by feisty new-girl-at-school, Laura, the boys uncover evidence suggesting the identity of the murderer. However, their plan to trap the would-be killer goes horribly awry and reveals a truth that could kill them all.
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EXCERPT #1
After lunch, we head to a nearby
McDonaldās and buy bags of hamburgers, chicken sandwiches, and fries to give
out on the streets. I make momentary eye contact with each person I hand a bag
to because I want them to know theyāre
human like me. But I canāt hold it for more than a second until, beneath the
dim shade of the freeway overpass on Main Street, this one man grasps my arm as
he takes his bag. Heās a regular named Hank, an older guy with a limp who
always wears a dirty Dodgers cap and mismatched clothes Iām sure he found in a dumpster.
āThank you, Leo.ā Hankās voice is
strained, but sincere.
I force myself to look into his
grateful eyes and our gazes lock. I canāt
seem to look away. Itās like Iām being drawn into Hankās very soul. Then I see it! Gasping, I lurch
back and yank my arm away from him.
He recoils, looking stung by my
action, and I want to apologize, but no words come. Iām paralyzed by what I
just saw and can only offer him a silent nod.
Gripping the bag with gnarled
fingers, Hank lurches down Main Street until he reaches the corner and turns
out of sight.
J.C. steps around in front of me.
āHey, Leo, you okay? You look like you saw a ghost.ā
āI knowā¦ when heāsā¦ going toā¦ die.ā
I barely get the words out.
J.C. stares at me. āHuh?ā
EXCERPT #2
J.C. slurps his drink and waits
till Iām ready. This is one of those moments I need a lot of time. Five minutes
pass while I process everything I saw in
Kyleās eyes. I know J.C. is about to jump out of his skin, so I finally
whisper, āHeās going to be shot.ā
āNo way!ā J.C. looks as shocked as
Iāve ever seen him. āWhen?ā
āTuesday.ā
He gags on the sip heās taking.
āYou sure?ā
I nod.
āCould you see where?ā
I shake my head. āIt was hazy. The
gun went off and he was on the ground bleeding out.ā
āOh, my God!ā J.C. puts down his
drink and we sit a moment in silence. He must know what Iām thinking because he
says, āYou canāt warn him, Leo.ā
āWhy not?ā
He hesitates. āI donāt know for
sure, but maybe itās like heās supposed to
die on Tuesday and if you warn him and he doesnāt, then maybe you create
some rift in time or something, like in X-Men comics.ā
J.C. is a major X-Men fan. Me, not
so much. āJ.C., heās just a kid like us.ā
āI know.ā He pauses. āBut what if
you tell him now and on Tuesday he changes what he would normally do and
because he changes his routine, thatās why he gets shot.ā
Having had these geek conversations
with him over the years about time travel and numerous āwhat if ā scenarios, I
understand what heās trying to tell me.
Make wise choices.
Was this what Mr. Franklin meant?
That the choices I make to tell or not tell people what I see could be as
significant as J.C. suggests?
EXCERPT #3
Iām not sure how long I lay curled
up on that beach before I hear someone huffing and puffing above me.
J.C.
I crack open my eyes. Heās doubled
over, clutching at his sides and fight- ing for breath. Sweat streams from his
wavy black hair down onto his face. āWhatā¦ā he wheezes, struggling to breathe,
ādidā¦ youā¦ see?ā
I unravel myself and sit up,
pulling my knees in and clutching my legs tightly. I donāt look at him, instead
scanning the surrounding beach. Itās a weekday and thereās nobody around except
the lifeguard in his station, and he isnāt very close.
āLeo!ā
I look up as he collapses to the
sand and gazes at me with wide, terrified eyes.
Still, I canāt bring myself to say
it.
He grabs me by both shoulders. His
grip feels like iron. His panting has lessened, but not the fear on his face.
āTell me. Please.ā
I lower my eyes again. āYouāreā¦ā I
force myself to breathe. āYouāre going to beā¦ā I canāt say it.
āWhat?ā
āMurdered!ā I blurt, glancing at
the stunned look on his face.
His mouth opens, but nothing comes
out for a long moment. āWhen?ā His voice is a choked whisper.
I donāt want to say it, but I have
to. āA week from Friday.ā
He gags, like heās gonna throw up
all over me. Iāve never seen him so vulnerable, so small and afraid, and that
scares me more than what I saw in his
eyes. He collapses onto the sand and cries.
EXCERPT #4
I hear the door to the parking lot
open with a creak and spin around in fear. J.C. and Laura do the same. We
listen. The door closes quietly. Muffled footsteps approach along the catwalk.
Crap, weāre trapped!
I ignore the other two and take in
my surroundings. Thereās a door behind us. With no time to even wonder where it
leads, I scuttle over as the footsteps grow louder. In seconds, the newcomer
will round the colossal boilers and
see us. I grab the door handle and pull. Itās not locked. I ease it open and find a large storage room with boxes and
plastic jugs lined up on shelves and odd pieces of equipment in corners on the
floor. Laura darts inside without hesitation, but J.C. looks at me uncertainly.
I shove him harder than I intend and squeeze in right behind him. The footsteps
clanking along the catwalk are almost
around the corner when I ease the door closed and hold the inside handle
tightly to keep it from rattling. I feel J.C.ās raspy breath on my neck and his body pressed in tightly against mine
as I place one ear up against the cold metal door and listen.
The footfalls saunter on past as
though the person doesnāt have a care in
the world and isnāt worried about being detected. I hear a muffled
greeting in Spanish, but itās not Mendez. My breath freezes as I recognize that
voice.
EXCERPT #5
Iām ladling out stew to ragged old
men, boys in hoodies, and women clothed in layers of dirty, mismatched apparel.
Theyāve come to stay the night at one of Skid Rowās rescue missions because
itās better than a tent or cardboard box on San Pedro Street. I like being here
more than I like being at home, so I help out every weekend.
Iām
chatting with a skinny boy and his mother passing through the line on their way to scarf a hot meal at one of
the foldable tables when one of the mission staff taps me on the shoulder.
āLeo, thereās a guy in the sleeping quarters asking for
you. Said his name is Franklin.ā
āThanks,ā I reply. I donāt recognize that name, but I make my excuses to
the boy and his mom and hand over my ladling duties to the girl whoād brought
me the message.
To get to the sleeping quarters, I
walk down a narrow, dark-paneled hallway with the familiar smell of sweat and
unwashed socks. The door to the dorm is open and I step in. It looks like a
huge barn with a worn hardwood floor studded with row after row of folding
cots. Since itās dinnertime, all the cots are empty except one.
An old man with surprisingly alert
eyes lies atop that cot staring at me. Most of the older people who frequent
the shelter have rheumy eyes, always
moist and often clouded, because
theyāve struggled for so long on the street, and maybe because they have
alcohol or drug problems.
āCome here, boy.ā His voice is
raspy and echoes faintly in the cavernous room.
At first, I donāt recognize him.
True, there are hundreds of homeless on the streets every day, but Iāve been
volunteering on Skid Row since I was fourteen and after almost three years,
like I said, I know most of them. Iām
thinking that if this guy is a
regular, heās passed under my radar.
And yetā¦
I have seen him, I think. Not here
at the shelter. Walking to my carā¦?
Yes! Several times over these
past two or three weekends, Iāve noticed him.
Heās caught my eye because, every time, heās stared at me so intently it
made me shiver. Heād be pretending to
rummage through a dumpster, but his eyes would follow me until I got into my
car. I confess his gaze made me uncom- fortable, but I let it go. Iāve learned
to shrug off such creepy feelings because
so many of the people I meet down here have mental health issues.
I steel myself and walk between the
rows of empty cotsāeach with its neat
bedroll awaiting an occupantāand stop before the stranger with
the scary eyes. Unlike most of the people, his clothes arenāt especially
dirty and he doesnāt smell like someone whoās been on the streets for a long
time. Wisps of gray hair stick out from his head at haphazard angles and his
face has so many wrinkles I donāt think I could count them if I tried.
I donāt make eye contact, but
thatās because I never do. Not here, not anywhere. People tell me Iām the
definition of āshyā and theyāre right.
āYou asked to see me, sir?ā I say deferentially,
my gaze on his gnarled hands.
He rolls over onto his back. āI
been watching you, boy. Seen you on the streets a lot.ā
I freeze. So, I didnāt imagine it!
āYeah?ā
āYeah.ā The voice sounds like
sandpaper scraping along a fence. āRich boy like you helping out poor folk like
me. What gives?ā
Iāve been asked this question by
all my relatives, so Iām ready with my answer. āI think people like me who are
lucky to have a lot should help people who donāt. And I hope Iām making the
world better instead of worse. The kids
I know just party and think about themselves all the time. I donāt want
to be like that.ā
A crooked smile cracks the wrinkled
face. āYouāre the one, all right.ā āThe one?ā
With effort, he unclasps his hands
with their swollen knuckles and holds his right arm out toward me. It shakes,
like he barely has enough strength to keep it aloft. āTake my hand, boy.ā
Unlike my best friend J.C., who
never touches any of the people when he comes with me to the shelters, I
usually have no worries about contact. But I hesitate this time. I mean, this
guy has been watching me on the streets. But kindness makes me swallow my
anxiety and I clasp his hand. He squeezes gently.
āLook into my eyes.ā
Ordinarily, Iād just glance into
his eyes and then look away. But that com- manding tone compels me. I raise my
eyes and focus on his. Theyāre brown and
alert and they shimmer beneath the overhead lights. We lock gazes, and I stiffen. Something I canāt quite pin
down swells within me, like a surge of emotion. I suddenly feelā¦ different.
All the tension drains from his
face in an instant. Relaxed, he releases my hand, pulling his arm back with
great deliberation. He rests both hands across his stomach and gazes up at me
with obvious gratitude.
āThank you, boy. Now I can die.ā
I shudder. āWha-what do you mean?ā
The man offers a gentle smile. āI
gave you a great gift, boy. Or maybe a curse. Had it so long, I canāt be sure
no more. But I couldnāt die till I passed it on.ā
I stand frozen in place, my heart
thumping, my breathing on hold. A gift?
A curse? āUh, pass what on, sir?ā
He chuckles and itās a wheezy
sound, like he doesnāt have much air in his lungs. āJust you calling an old bum
like me āsirā proves you be the one.ā
I feel different inside and his
words scare me because I know heās done
something to me. āIām just a
regular kid, sir. Nothing special.ā
That chuckle erupts again, wheezier
this time. āOh, youāre more than a regular kid. Like you said, most kids only
care about stupid crap like partying. Youāll
use my gift well.ā He lapses into a coughing fit that scares me
even more.
āWant me to get some help?ā
He waves away the idea with one
hand. After a few moments, the hacking
ceases. āNo need. Itās my time.ā He suddenly looks really pasty and
gray in the face. āWhen you find
someone worthy, boy, pass on the gift to them,ā he whispers, his voice very
soft and almost inaudible. He closes his eyes and lies still. āUntil then, make
wise choices.ā
Then he stops breathing. Literally,
just stops. One second his chest is ris- ing and falling and then the next,
thereās nothing. I want to shake him back to life and ask a thousand questions,
but instead I run from the room to get help.
Michael J. Bowler is an award-winning author who grew up in Northern California. He majored in English/Theatre at Santa Clara University, earned a masterās in film production from Loyola Marymount University, a teaching credential in English from LMU, and a masterās in Special Education from Cal State University Dominguez Hills. Michael taught high school in Hawthorne, California for many years, both in general education and students with disabilities. When Michael is not writing you can find him volunteering as a youth mentor with the Big Brothers Big Sisters program, volunteering within the juvenile justice system in Los Angeles, or caring for his newly adopted son. He is a passionate advocate for the fair treatment of children and teens in California, and hopes his books can show young people they are not alone in their struggles.
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