
Author: Chantal Gadoury
Narrator: Ryan Haugen
Length: 9 hours 37 minutes
Publisher: The Parliament House
Released: Mar. 3, 2020
Genre: New Adult Fantasy

The village of Krume is plagued by a haunted wood and a hungry witch. Itās been that way for as long as Hans and Greta can remember, though they have never seen the witch themselves; no one has. When men start to disappear once again in the cover of night - their bloody hearts turning up on doorsteps - the village falls into frenzied madness. Hans and Greta, two outcast orphans, find themselves facing accusations of witchcraft and are met with an ultimatum: burn at the stake, or leave the village forever. With nowhere else to go, they abandon their only home. As they venture into the strange forest, their path is fraught with horrific creatures, wild and vivid hallucinations, and a mysterious man tied to the witch's past. The Shrike is watching, just beyond the deep darkness of the woods.


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A.M Wright's Top 10 Things to Expect from The Shrike & the Shadows
- An immersive narrative brought to life by an amazing voice talent!
- The very opposite of sweets...there are no houses made of gingerbread in our story.
- A witch! But we can guarantee you that the Shrike isn't your typical, cauldron-brewing witch - but she is a hungry one.
- Dark and graphic imagery. Like I said, the Shrike is a hungry witch and her appetite is insatiable.
- Fear! It's everywhere.
- Nightmarish creatures! And haunting hallucinations.
- One dark and mysterious stranger!
- An unshakeable bond between two siblings with unresolved issues & a sad past. They stick together no matter what! Even if one is being sort of piggish.
- Some romance sprinkled in, just to give it a nice kick. It gets spicy
- 10. A story you won't forget! (And maybe a cliffhanger )

Music is an important part of the process in writing for me. Iāve always been the sort of person who thrives off of the music they listen to, in any given situation. Road Trip? I have a playlist for that. A love letter? You betcha, I have a CD Mix I want you to listen to. Writing a novel, let me share with you my spotify playlist Iāve specifically designed for it!
When A.M Wright and I started to write āThe Shrike & the Shadows,ā I started a score playlist to listen to - to capture the atmosphere I imagined in our novel. For me, it was so important to be in the right mind-frame to write our dark fairytale retelling. All of it was inspired by the song A.M Wright originally shared with me, when we began to plan out our story:
In the Woods Somewhere:
https://www.youtube.com/watch?v=ZMk-Nb_viR8
This song played a major role in our writing, and inspired much of the story, the woods, and our characters.
Take a listen to my personal āShrike & the Shadowsā playlist that I listened to as I wrote. This playlist is mostly all classical/score music - as I avoid listening to music with words when writing. When I write, scenes almost unfold in my mind like a movie; so added dialogue can at times, kill the situation.
The Shrike & the Shadows Score:
https://open.spotify.com/playlist/4ED7y9LvtdFeQBCbWKx28Y?si=VpL7CNNnRamli_Yf6oqY2g
You can also experience the Various Artist Playlist I created: https://open.spotify.com/playlist/5KjrgXZsz8uoSyGppF6D59?si=-EgsqaisRc69yHZ7dsGi8g
Highlights:
Main Titles (Sleepy Hollow) https://www.youtube.com/watch?v=XzDdneyRxvE
The Gravel Road: https://www.youtube.com/watch?v=1ro4FHd51t4
Snow White: https://www.youtube.com/watch?v=NNieoRfBqcU
A Window to the Past: https://www.youtube.com/watch?v=MrZB9nPMvS4
Mistake of Your Life: https://www.youtube.com/watch?v=DquoNl7GsQ8
Main Titles (Chocolat): https://www.youtube.com/watch?v=o7De42gw0jc
Show Me: https://www.youtube.com/watch?v=K79ig2PKP3Y
Day One: https://www.youtube.com/watch?v=DITy3T2BgbI

Q&A with Narrator Ryan Haugan
- When did you know you wanted to be an audiobook narrator?
- Around July 2019 I was encouraged by a friend online to ādo something, anythingā with my voice. For most of my life I viewed the prospect as impossible, but something Iād be great at if I were in āotherā circumstances. Iād also been told by players in a Dungeons and Dragons campaign I used to run that I really need to do something āperformativeā with my voice and storytelling abilities. Audiobook narration kind of came up in discussions with my partner as yet another form of gig work one day around this time, and I looked in to it pretty much immediately. So thereād been this sense that I need to do something with my voice and performative style, at least from people I viewed as honest friends, for quite a while.
- Did you find it difficult to ābreak intoā audiobook narration? What skill/tool helped you the most when getting started?
- If youāre willing to work for free, you can break into almost any line of work, Iām sure ā your patience will wear thin quickly, though. And thatās my story with narration, and probably most others, too. I was doing 6-10 auditions a day to start out, everything I could get my hands on, from diet books to homegrowing weed to crime thrillers to smuttier stuff, you name it ā but ultimately it came down to a string of Royalty Share (no money for you or the rights holder/author unless the audiobook sells) on ACX as a proof of concept, a leg-stretch. Within a week of completing my first Royalty Share project, Iād received an offer to actually work for a wage (!!!) and have since collaborated with that author on numerous projects.
- How do you manage to avoid burn-out? What do you do to maintain your enthusiasm for narrating?
- Iām sure thisāll probably change somewhat, but that Iām able to quit my day job to do much more lucrative/fulfilling work has kept my enthusiasm at a very steady burn. Iām overjoyed at the opportunity to narrate/produce ā Iāve known nothing like this in my life. But, itās easy to tire of longer pieces/narrative styles you donāt particularly jive with. Knowing thereās something else radically different on the horizon reinvigorates me. Shorter projects, subjects I donāt particularly have much interest in ā the unknown keeps things interesting.
- Are you an audiobook listener? What about the audiobook format appeals to you?
- Yes, an avid one at that. Until this week I was able to listen to them during my entire shift at work, but, now that work is narration full-time, I probably shouldnāt have another voice narrating in the background while I narrate. So of course the convenience factor appeals to me, but an adept narrator can turn a novel in to something of a stage performance. A well-written character is worthy of a demanding performance. I appreciate the added immersion, and this sort of āheartbeatā being given to a narrative.
- What are your favorite and least favorite parts of narrating an audiobook?
- My favorite part ā intense internal monologues are frequently the most intimate parts of any fiction, but they also flow the most naturally for me. I find myself doing the fewest retakes when Iām directly in a characterās mind. So the ROI so to speak is huge here. Least favorite part? Excluding editing, sticking just to the narration, awkwardly-worded sentences, unnatural character interactions, daily sinus rinses, the list goes on.
- Is there a particular genre you feel unsuited for? Have you ever declined a project because you didnāt think you were right for it?
- If work is slow enough, Iāll audition for just about any project that isnāt strictly demanding a female/elderly voice ā Iāve still tried to sound elderly, though, donāt think I havenāt! Genres, specifically, Iād say political thrillers, westerns, romance in general ā based on anecdotal evidence, harem romance authors donāt seem to enjoy my work, haha. But I do try to do my research and adapt to styles I havenāt tried before.
- How did you decide how each character should sound in this title?
- The characters had a pretty big say in how they sounded! A well-written character just screams their voice to you. But I like to collaborate with authors on ideas they have for their charactersā voices, a back-and-forth until some agreement is reached, though Iām usually given free rein over interpretation. I have stock voices ready for a handful of character types, though The Shrike and the Shadows saw me trying some voices Iād never used yet. Father Emory in particular was a blast to portray. I took some influence from the clergymen in Castlevania. Rabble rousers/fanatics allow a lot of wiggle room, so more opportunity to experiment.
- Do you read reviews for your audiobooks?
- Yes, though Iāve been busy enough recording them lately that I havenāt really had the time for that. Feedback from authors and their creative teams is far more valuable to me. Narration is not one-size-fits-all; not every reviewer will appreciate what the author is trying to achieve through audio, nor what you are trying to achieve. I have some older pieces in particular that Iām not happy with honestly, though I achieved what the author demanded and theyāre happy with the result. So some criticism may be valid, but at times itās like not enjoying a genre of fiction. Is something bad just because you dislike the genre? Not necessarily.
- What bits of advice would you give to aspiring audiobook narrators?
- Listen. Listen more than you record. Youāre an artist, and you need inspiration. Listen to bad audiobooks ā however you make this assessment is up to you, but theyāre out there ā take notes. Watch bad movies, take notes. Learning whatās awful is just as important as knowing whatās good. And focus more on your performative style and consistency rather than having the most expensive setup, starting out.
- Whatās next for you?
- Working on M.A. Leonās first book in her YA fantasy Steel and Magic series, Elemental Links. This book and its sequels should keep me busy for a few months. Iām also supposed to be moving across the country with my partner in a couple months, but thereās a lot of uncertainty in the world at the moment. Luckily, Iām an olympic social distancer.
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