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The Chalice and the Crown by Kassandra Flamouri ➱ Release Blitz with Giveaway




The Chalice and the Crown 
by Kassandra Flamouri 
Genre: YA Fantasy 


Driven, talented, and determined to live up to her family's fame, Sasha Nikolayeva is ballet’s crown princess. But just when Sasha lands her most prestigious role yet, she falls prey to a host of disturbing neurological symptoms that threaten to end her career and her very life. As her mind and body deteriorate, Sasha spirals into a nightmare world where beauty and cruelty exist in the same breath and villains rule from the shadows.

In the glittering, sharp-edged City of Roses, Sasha is no princess. She’s a thrall, a slave. Thousands like her suffer in cursed silence while citizens enjoy the splendor of the City, blissfully unaware that their servants are anything more than living dolls enchanted to do their bidding. But the City's slavers know the truth, and they are always watching. One misstep could cost Sasha her life—or her soul.

Even as she endures the violence and indignity of captivity, Sasha can't help being drawn to the beauty of her nightmare world and the underground rebels who offer her friendship, shelter, even love. Before Sasha can break her chains for good, she'll need choose between the life waiting for her at home and the countless lives she could save if she stays. To choose a nightmare over her real life, her future, would be madness...but maybe a little madness is just what it takes to change the fate of a city built on lies. 

Dreams and reality perform a captivating pas de deux in this tale of legacy and longing. A lyrical and original fantasy that, like its heroine, has the soul of a dancer. 

- Adi Rule, author of STRANGE SWEET SONG 


Excerpt 1:

There’s food. They throw a few crusts of stale bread into the cage and laugh as we fight over them. A dirty, stubbled knee smashes into my face as I reach into the melee with one hand and shove aside a frail old woman with the other. My hand closes spasmodically around a scrap of bread but, as I bring the prize to my lips, another girl tries to snatch it from me.
I jerk away and bite her grasping fingers, lips pulled back from my teeth. She glares at me and rubs her hand, like I’ve done something rude, like she has every right to my food. I glare back and chew as slowly as possible, both to make it last and to rub it in the thief’s face. I hope they sell her soon. She’s been a steadily growing pain in my ass for weeks now.
I’m not sure what it is that annoys me so much, there’s just something about her. Every time I see her stupid, pouting face, I want to slap it. I try to remind myself that I don’t know her, she’s probably a nice person—and anyway, why shouldn’t she pout? We gave up hope of escape long ago. Most of us don’t even bother looking beyond the bars of our cage. We’re broken, hopeless, wretched scraps of flesh and bone. If ever there was a situation to warrant a good pout, this is it.
It’s no use—I hate her. I hate every inch of her, from her stupid blond head to her once no doubt perfectly pedicured toes.
She used to be pretty. But now her long golden hair is no longer gold so much as a dull sand color, almost brown, and it hangs in greasy tangles around her face.
Not that I can point fingers. My hair looks—and smells—like something you might find smeared on the bottom of your shoe. Several weeks’ worth of grime has crusted on my body and raised angry, putrid rashes in the creases of my elbows, armpits, everywhere skin touches skin.
But at least I’m alive. A few days ago there was rain, and the next morning one of the girls began to cough and shiver. Last night the guards pulled her corpse from the cage and left it by the roadside. Our only response was to take advantage of the extra leg room.
The giddy surge of relief lasted no more than a day. New aches and pains arrived to take the place of old cramps, and now we shove and twist against each other just as violently as before. Another inch or two and I could unbend my knees. Another foot and I could lean against the bars.
We need more space. I consider the pouter, eyeing her emaciated form, and smile as thunder rumbles in the distance.





Excerpt 2:

“The legends say that in the earliest days, we lived and died in darkness and despair.” Luca’s voice tickles my ear, and, though he drops his hand, he stays close. “Farmers toiled in the fields without respite, never tasting the fruits of their labor. Blacksmiths forged tools and weapons, never toys or lovers’ trinkets. Housewives gave birth to children who grew too quickly into adulthood, never knowing laughter. Soldiers killed and were killed without mercy—without knowing why, even. But for all their toiling and striving, they were pale, listless, fearful beings. There was no beauty or courage in the world, only survival. Only hardship.
“But one day, a young blacksmith dreamed of something better. He dreamed of the three Graces: Joy, Passion…and, shining like a beacon, her arms around the other two, Beauty. When the blacksmith awoke, he wept, for now he knew all that his life lacked. He wept a lifetime of tears that had never been shed, and, when his tears ran dry, he fell to his knees and prayed.
“When the blacksmith rose, he went to his forge and fashioned a chalice from gold—a soft, silly metal that served no useful purpose. So he had been told, and so he had believed until he dreamed of Beauty. When the chalice was completed, he went to the vineyards, where the vintner made vinegar to preserve food, clean wounds, quench thirst—useful, practical, necessary tasks, of course. But the blacksmith told the vintner of his dream and showed him the golden chalice, and the vintner in turn showed him what he had discovered: His casks of vinegar, if opened early, produced a liquid with a pleasant taste and even more pleasant warmth.
“The blacksmith and the vintner filled the chalice with wine and offered it to the villagers, who began to laugh and then to sing. When the chief’s suspicious soldiers came to investigate, they, too, drank the wine. One soldier after another faltered in the march, and they began to dance.
“And so the chalice performed its miracles, passing from hand to hand, intoxicating the people not only with drink but with joy and wonder. ‘There is beauty in the world,’ one villager would say. ‘Drink deep.’ ‘Life is sweet,’ the next might say. ‘Drink deep.’ The villagers drank deep from the chalice and began to expect more from life than mere survival. As they sought out beauty and amusement and love, they also found genius and passion for good works, for excellence, for innovation. They found their Gifts.
“The villagers transformed their huts into houses, then villas. The villages grew into towns, then cities, then a kingdom. To this day we gather in the Temple of Graces to seek out the beauty in the world and in ourselves, and every year we celebrate the blacksmith and his Chalice of Gifts.”
Luca falls silent. I blink, still entranced by his story and dazzled by the stars. Finally, I look at him and feel a smile spread across my face.
“I love it,” I tell him, and it feels like something more, something like… I love you.



In retrospect, I probably should have realized a lot earlier that I was meant to be a writer. Even as early as kindergarten, I struggled to pay attention in class because the outside world was just not as interesting as what was going on in my head. By that time, I had already made my storytelling debut ("Squirm the Worm," delivered at age three) and had spent countless hours playing make-believe with my 284 stuffed animals, every one of whom had a name and detailed backstory.

Though I quickly learned to pay attention (or at least look like I was paying attention) during school hours, I retained a tendency to daydream and a love of stories. When I left high school to attend the Sunderman Conservatory at Gettysburg College, I learned to translate both emotional and programatic content into music. Now, as an exam prep and college essay tutor, I have the time and flexibility to really dig into fiction again. My work has appeared online and in print in such venues as Timeless Tales Magazine and Quantum Fairy Tales. 




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